Gabriel Le Mar’s been on a roll. Not content to recast techno through his simmering dub vernacular to yield ever more bracing results, he manages to construct records of both gorgeous accessibility and wholly entrancing affect. Among Trees I Want To Live finds him returning to Carpe Sonum armed with his characteristic brimstone and brio. Back in the 90s, a track sporting the seductive pulsations of “Regenerative” would have been classified as armchair techno; genre tokenisms aside, it is instead a sterling five minutes of neon throb and quacking guitar process that easily casts a spell on the dancefloor and home listening space alike…

Modern Obscure Music welcomes Sam Haar to the imprint for the first album released by an artist other than label founder Pedro Vian. The album is entitled Euso. Sam Haar is a New Jersey born producer and sound artist. Influenced by both experimentalism and traditional dance music, Haar’s music is something uniquely his own. He is best known as being one half of musical hardware loving duo Blondes with Zach Steinman (neither of them are actually blonde). They famously favour machines over computers and provide hypnotic live shows. Blondes have released the majority of their discography for Rvng Intl., before jumping to R&S in 2017 for the more danceable Warmth album.

Comprised of recordings made just after 1997's Orblivion (and subsequently trapped in major-label-restructuring limbo for nigh on three years), Cydonia is a hodgepodge of Orb styles and sounds, a quality production that nevertheless meanders too far and duplicates too many ideas first heard on Orb records ten years in the past. Much of Cydonia (the title is a reference to a region of Mars where astronauts reportedly found evidence of ancient civilization) aligns to the slightly spacey, slightly noisy dub heard on Orblivion and 1995's Orbus Terrarum. Thankfully, the album also has the exquisite pacing and smooth transitions of the classic Orblivion - a spritely Indian dub piece ("Promis") leads naturally into the lazy-day ambience of "Ghostdancing" and on into "Turn It Down," a paranoid production with the conspiracy-theory airs of earlier Orb work…

The perfect response to a music scene swamped by what Paterson himself called "lame ambient noodling for 70 minutes," Orbus Terrarum brings the mothership back to earth for a collision with some surprisingly harsh percussion and noisy synth. The melodies and dub lines of previous Orb recordings are still in the mix, and the esoteric bent of Pomme Fritz is muted somewhat. Orbus Terrarum is definitely not the place to start, but it's still a worthy successor to U.F.Orb. The final track, "Slug Dub," is an ambient epic with vocal samples taken from a children's story.

If the Orb's 1995 release Orbus Terrarum was an extended meditation on the earthbound, the band's follow-up in Orblivion rises from the muck of primordial ectoplasm for a guided tour of late 20th century Western culture's more paranoid face. From the Cold War (the album kicks off with Joseph McCarthy's intoning of the immortal invective "Are you now, or have you ever been…") to the pre-millennial ranting of David Thewlis' warped, apocalyptic monologue from Mike Leigh's Naked ("The bar code! The ubiquitous bar code!"), Orblivion does for post-industrial, turn of the century mania what earlier albums such as The Orb's Adventures Beyond the Ultraworld and U.F.Orb did for aliens and flying saucers…

God are blessed our fothcoming SV-22 !!! Geese in Russian, Greece from a country !!! We are welcome on the board new artist Chris Deepak, with his masterpeace album called name by Expanding! This is a artist debut release on our label! Extremely recommended for all fans of pure electronica like early sounding label Electrolux + add shades of Ultimae Records.

A decade after they delivered Okie Dokie It's the Orb on Kompakt on…Kompakt, Alex Paterson and Thomas Fehlmann return to the stalwart Cologne label with an album bearing a less sportive title and it sounds like serious sci-fi business. The standard edition consists of four tracks, each one between nine and 15 minutes in length. Not one of them is humorously titled "Captain Korma" or "Komplikation," unless "God's Mirrorball" triggers a recollection of the first Tad album. Unlike Okie Dokie, this is all new, not an amalgamation of tweaked, previously released tracks and new material…

"Bombadin" is a 1994 single by British electronic music group 808 State. This features four different remixes of "Bombadin" along with three remixes of "Marathon". This is a ZTT presentation.

We did a rough GU survey of what DJs thought was going to be the sound of Ibiza this year and the thing that kept popping up is disco. Last year, we didn't hear much of that going on, tech-house was still the main event as far as wecould see. But maybe this year with Denis Sulta's new one going off in such a big way we'll see more glitterball grooves on the dancefloor. With that in mind, we've added some exclusive seventies flavours to this years Ibiza compilation.

Right at the beginning of this year’s Summer season, Germany’s Milk & Sugar Recordings is releasing its annual "Summer Sessions" - a double compilation with the cream of today’s sunniest electronic music around. Compiled and mixed by the two label masterminds themselves, the 2018 edition once again presents a fine selection of current and exclusive deep house tunes and Balearic house tracks. Warm, atmospheric and laidback for the beach on the one side, clubby and bubbly to get the party started on the other.

Continuing our journey to the underground dancefloors of the party capital, this year's 'Ibiza Underground' broaches new genres, discovering fresh talent, and edging further into Melodic, Lo-Fi and Leftfield, alongside the usual selection of Deep House, Tech House and Techno. Featuring new tracks from George FitzGerald, Bonobo, Peggy Gou, Lanark Artefax, Ross From Friends, Nic Fanciulli, Bicep, Kolsch, Solardo, Booka Shade, Frits Wentink, Fouk, Blondes, Leftwing & Kody, Scuba, Greymatter, Dale Howard, Hauswerks, DJ Sneak, Waifs & Strays and many more. Completing the package are two lovingly crafted full length DJ mixes; essential listening for the summer ahead.

Worthy selection and beautiful tracks I Love Ibiza, all of us heard at one time or another, for many years! On the opening night there was no alcohol, three flashing lights, moody security and unless you knew the names of at least a half-dozen Chicago DJs, you were unlikely to get past the legendary pickers. For the latest instalment in the immensely successful I Love series, Ministry of Sound proudly presents, I Love Ibiza - the ultimate collection of nostalgic anthems charting the glory years of clubbing on the White Isle. The album features 3CDs of classic House, Trance and Balearic Ibiza anthems from the early 90s to late 00s from artists such as: David Morales, Moby, Roger Sanchez, Robert Miles, Underworld, Paul Van Dyk, Groove Armada, Chicane and many more.

"Spikee" and "Dogman Go Woof" are and/or is a single released in 1993 by Rick Smith, Karl Hyde and DJ Darren Emerson, who are known as Underworld. This was released on Junior Boy's Own, a label.

"10 x 10" is a single by British techno group 808 State. Released in support of their album Gorgeous, this features seven different mixes of the song. Zang Tuum Tumb made this a reality.

From playing acid house at the legendary Haçienda to residencies at a number of the world’s super clubs and a grammy nomination, Sasha's career trajectory is pretty much unparalleled. His contribution to electronic music in the 90s is synonymous with the rise of progressive house. As a producer, his vast discography includes a number of studio albums, remixes for Madonna and The Chemical Brothers and soundtracks for computer games, whilst a long list of acclaimed mixes are heralded by many as some of the greatest of all time.